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The Country of the Bird

“The mud after birds:

more mud

than before.”

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Lilith Street, The Country of the Bird

About the Book

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During the late Shang Dynasty, elephants were not limited to the south but inhabited the warmer, wetter forests of the Yellow River valley. Ivory and bronze represented power, wealth, and luxury in contrast to the simple cotton fabric and dulled tools of rice paddy cultivators. To the south, the Yangtze River basin provided an agricultural wetland for agrarian households. In this pre-Buddhist society there was stillness before philosophy, attention before teaching, and consequence before theology.

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Here a young poet began her calling by shaping herself after the lotus, and through trips to the river, with moments of resonance and light that echoed natural cycles of emergence and loss. In this sonoric, moving tale, Lilith Street blends historical fiction with poetry, told from the perspective of a Chinese girl. From the elegant movements of the crane to a chrysanthemum snapped clean, traded for a poem, the creatures and flora of ancient China come to life against a transcendental landscape. Under the speaker’s Oracle Bone Script pen, the result is a quiet, haunting zen-aesthetic meditation on attention, innocence, and the cost of seeing.

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Potter's Press: 86 pages

Available now

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Crane​

 

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The crane stands
where the meltwater gathers,
white enough
to borrow the day’s cold.
Not snow—
but what snow becomes
once it decides
to remain.

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Its bones are light
because the air insists.
Nothing here is excess.
Even stillness
has been pared down
to what will lift.

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When it moves,
the ground forgets
its own weight.
The crane does not rise—
it is taken
by the same force
that loosens clouds.

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Lilith Street

Reviews for The Country of the Bird

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×´This country is not wide.
It fits inside a glance,
inside the pause
before a bird lifts.
×´

- Lilith Street

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